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O que é, o que é. Clara e salgada Cabe em um olho Pesa uma toneladaTem sabor de mar Pode ser discreta Inquilina da dor Morada predileta Na calada ela vem Refém da vingança Irmã do desespero Rival da esperança.

Y algo golpeaba en mi alma,
fiebre o alas perdidas,
y me fui haciendo solo,
descifrando
aquella quemadura
y escribí la primera línea vaga,
vaga, sin cuerpo, pura,
tontería
pura sabiduría
del que no sabe nada,
y vi de pronto
el cielo
desgranado
y abierto.

The work of destruction, speaking generally, goes on not in the light of day, but, metaphorically, in the dark hours of night.

As I grow older, much older, I will experience many things, and I will hit rock bottom again and again. Again and again I will suffer; again and again I will get back on my feet. I will not be defeated. I won't let my spirit be destroyed.

The usual devastating put-downs imply that a person is basically bad, rather than that he is a person who sometimes does bad things. Obviously, there is a vast difference between a "bad" person and a person who does something bad.
Besides, failure is an event, it is not a person — yesterday ended last night.

Hakai Shin Korin [Destruction Deity Descent]

[http://www.poesia-inter.net/indexpn.htm Original poems] - It includes some translations and audio files. All poems are sourced

In the long run, Ram Swarup will probably prove to have been the most influential Hindu thinker in the second half of the 20th century. He has, at any rate, been a crucial influence on most other Hindu Revivalist authors of the last two decades.

Those men are good who study the good of others without regarding themselves. Those men are ordinary men who, while they benefit others, do not neglect their own interests. Those men are demons who destroy another's good for their own profit. What shall we call those who aimlessly destroy that which is another's?

The Year: 1980. The Scene: Outer Space. The Story: The Destruction of Earth!

Now that everything is, or may be, "digital" and could contemplate its membership in an e-category, the final product should be always studied, not only in its appearance, but in its process, structure, in its modes of functioning and of presentation / fruition and also in an historical perspective.

Love is a feeling,
Give it when I want it,
'Cause I'm on fire,
Quench my desire,
Love is a woman,
I don't want to give in,
Give in to me, give in to me.

Her works are in major private collections including that of The Contemporary African Art Collection (CAAC) of Jean Pigozzi and in many Western museums. Despite being an internationally recognized artist, Esther Mahlangu still presently lives in her village in close and constant contact with her culture.

Verde que te quiero verde.
Verde viento. Verdes ramas.
El barco sobre la mar
y el caballo en la montaña.

A life-giving factor lies at the centre of the whole machinery and design of the world.